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collective"},{"term":"ukip"},{"term":"ukraine"},{"term":"ultramarathon"},{"term":"ultraviolence"},{"term":"umbrelliam"},{"term":"unexploded ordnance"},{"term":"university of swansea"},{"term":"university of westminster"},{"term":"unkle"},{"term":"upper addison gardens"},{"term":"vaginas"},{"term":"valentine hanson"},{"term":"vampire"},{"term":"vampires"},{"term":"van morrison"},{"term":"vanessa schofield"},{"term":"vasilis karvounis"},{"term":"vera chytilova"},{"term":"verbatim theatre"},{"term":"verity kirk"},{"term":"verna vyas"},{"term":"veronica roberts"},{"term":"vicky ford"},{"term":"victoria Abbott"},{"term":"victoria blunt"},{"term":"victorian"},{"term":"victorians"},{"term":"viggo mortenson"},{"term":"vincent d'onofrio"},{"term":"vincent piazzo"},{"term":"vincent regan"},{"term":"violence"},{"term":"violent"},{"term":"virtually opera"},{"term":"vivaldi"},{"term":"vivien leigh"},{"term":"vyner street gallery"},{"term":"wade mccollum"},{"term":"walt disney"},{"term":"wank"},{"term":"wanking"},{"term":"wanky wanky wanky woo"},{"term":"war on terror"},{"term":"waste of time"},{"term":"wax"},{"term":"wayne wilson"},{"term":"we play project"},{"term":"wei lun chang"},{"term":"weird"},{"term":"werner pawlok"},{"term":"wet picnic"},{"term":"what's new pussycat"},{"term":"white Bear"},{"term":"white space"},{"term":"who's afraid of virginia woolf"},{"term":"wild goose chase"},{"term":"will austin"},{"term":"will henry"},{"term":"will peltz"},{"term":"will rastall"},{"term":"will smith"},{"term":"will.i.am"},{"term":"william burroughs"},{"term":"william hoffman"},{"term":"william mcgeogh"},{"term":"william ross-fawcett"},{"term":"windrush"},{"term":"wink"},{"term":"wired up"},{"term":"witt n camp"},{"term":"woo woo"},{"term":"words words words"},{"term":"worker's rights"},{"term":"workers cooperative"},{"term":"workshy"},{"term":"world music"},{"term":"wreckage international"},{"term":"wrestling"},{"term":"writing too much about Batman"},{"term":"xxx tour"},{"term":"yinan song"},{"term":"yorgos lanthimos"},{"term":"young feminist whores"},{"term":"youth"},{"term":"zac gwirtzman"},{"term":"zena edwards"},{"term":"zoe grain"},{"term":"zoe hough"},{"term":"zoe lewis"},{"term":"zoe swenson-graham"},{"term":"zombie ants"},{"term":"Øystein Monsen"}],"title":{"type":"text","$t":"LONDON CITY NIGHTS"},"subtitle":{"type":"html","$t":""},"link":[{"rel":"http://schemas.google.com/g/2005#feed","type":"application/atom+xml","href":"http:\/\/www.londoncitynights.com\/feeds\/posts\/default"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/-\/exhibition?alt=json-in-script\u0026max-results=5"},{"rel":"alternate","type":"text/html","href":"http:\/\/www.londoncitynights.com\/search\/label\/exhibition"},{"rel":"hub","href":"http://pubsubhubbub.appspot.com/"},{"rel":"next","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/-\/exhibition\/-\/exhibition?alt=json-in-script\u0026start-index=6\u0026max-results=5"}],"author":[{"name":{"$t":"londoncitynights"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05709416402447278223"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"31","src":"http:\/\/2.bp.blogspot.com\/-_dEgl2Z35ZM\/UmwOg24QzOI\/AAAAAAAAH5g\/nRmISOmDrk0\/s220\/lcn%2Btwitter%2Bavpsd.jpg"}}],"generator":{"version":"7.00","uri":"http://www.blogger.com","$t":"Blogger"},"openSearch$totalResults":{"$t":"52"},"openSearch$startIndex":{"$t":"1"},"openSearch$itemsPerPage":{"$t":"5"},"entry":[{"id":{"$t":"tag:blogger.com,1999:blog-4538517798140197216.post-1674616828944424739"},"published":{"$t":"2019-10-31T13:57:00.000+00:00"},"updated":{"$t":"2019-10-31T14:07:02.716+00:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Elizabeth Dearnley"},{"scheme":"http://www.blogger.com/atom/ns#","term":"exhibition"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Freud Museum"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Karolina Urbaniak"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Lili Spain"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Martha Todd"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Martin Bladh"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Sigmund Freud"}],"title":{"type":"text","$t":"Review: 'The Uncanny' at the Freud Museum, 30th October 2019"},"content":{"type":"html","$t":"\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-dhRyBhCw8oY\/XbrlYR-PtVI\/AAAAAAAAjwk\/cYmelT9kTgougafLPSJzipgivKEUiuNDACLcBGAsYHQ\/s1600\/%25C2%25A9-Karolina-Urbaniak-Martin-Bladh-8-1024x778.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cimg border=\"0\" data-original-height=\"539\" data-original-width=\"1007\" height=\"342\" src=\"https:\/\/1.bp.blogspot.com\/-dhRyBhCw8oY\/XbrlYR-PtVI\/AAAAAAAAjwk\/cYmelT9kTgougafLPSJzipgivKEUiuNDACLcBGAsYHQ\/s640\/%25C2%25A9-Karolina-Urbaniak-Martin-Bladh-8-1024x778.jpg\" width=\"640\" \/\u003E\u003C\/span\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003ESigmund Freud's 1919 paper\u0026nbsp;\u003C\/span\u003E\u003Ci style=\"font-family: Georgia, \u0026quot;Times New Roman\u0026quot;, serif;\"\u003EDas Unheimliche \/ The Uncanny \u003C\/i\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003Eseeks to define that stomach-churning feeling when you encounter something that's just not quite right. His prime examples are dolls and waxworks: objects that have a human form yet lack an animated spark.\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EIt's an argument that's found new relevance in the modern world with the concept of the 'uncanny valley'.\u0026nbsp;I experienced this recently in Tokyo's Miraikan technology museum, where I encountered \u003Ca href=\"https:\/\/www.miraikan.jst.go.jp\/en\/exhibition\/images\/180710_android01.jpg\" target=\"_blank\"\u003Ea disturbingly realistic 'gynoid'\u003C\/a\u003E. It (she?) has realistic latex flesh over a metal endoskeleton, with every skin pore and eyelash precisely placed to create the illusion of life. But our brains are too well-trained, and staring into her glassy eyes made me feel like I was looking at an animated corpse. It gave me the willies.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003ESaid willies are at the heart of the Freud Museum's new exhibition, \u003Ci\u003EThe Uncanny: A Centenary. \u003C\/i\u003EWithin the famous psychoanalyst's former London home a group of artists and writers have created a number of new artworks that attempt to get under the skin of the uncanny. The goal is to pin down precisely what feeling 'uncanny' is, and how to differentiate it from simply being afraid.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: center;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-qLZtv3HjIaU\/XbrlXUMiDOI\/AAAAAAAAjws\/RuTMHvx9DIspkgmWWWNjg2dnIY9Jfo-lgCEwYBhgL\/s1600\/20191031_134236.jpg\" imageanchor=\"1\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1600\" data-original-width=\"1200\" height=\"640\" src=\"https:\/\/1.bp.blogspot.com\/-qLZtv3HjIaU\/XbrlXUMiDOI\/AAAAAAAAjws\/RuTMHvx9DIspkgmWWWNjg2dnIY9Jfo-lgCEwYBhgL\/s640\/20191031_134236.jpg\" width=\"478\" \/\u003E\u003C\/span\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003Ci style=\"font-family: Georgia, \u0026quot;Times New Roman\u0026quot;, serif; text-align: justify;\"\u003E\u003Cspan style=\"font-size: x-small;\"\u003ESomething Looming Large (Yet Not Quite Here)\u003C\/span\u003E\u003C\/i\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003EArtists and writers Martha Todd, Lili Spain, Karolina Urbaniak \u0026amp; Martin Bladh and Elizabeth Dearnley* have thrown themselves at the question. My favourite piece was in the centre of the gallery: Lili Spain's \u003C\/span\u003E\u003Ci style=\"font-family: Georgia, \u0026quot;Times New Roman\u0026quot;, serif;\"\u003ESomething Looming Large (Yet Not Quite Here). \u003C\/i\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003EThis was a waxy bust sat in the middle of what looked like chewed up bits of dried meat. The caption reads:\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cblockquote class=\"tr_bq\" style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\"He sat in a corner hunched over a tiny antique sewing machine, unaware that she had woken to find him feeding it with his spindly fingers. As she watched out of sigh, a stream of human hair, cat fur and wax spilled out of the machine forming an arch in the wall. It occurred to her that the machine was familiar. It had been a gift from her mother, which had sat proudly on her bedroom mantlepiece. \"Save me\", it whispered, \"and I'll save you\".\"\u003C\/span\u003E\u003C\/blockquote\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EPaging Doctor Fr.. oh wait, no need. There's something about the not-quite-fleshiness of the materials that captures the uncanny - a body horror queasiness of malleable, oozing human that resists any single form. It's awesome. And disgusting.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EBut the best thing about the exhibition is Elizabeth Dearnley's \u003Ci\u003EThe Sandman: \u003C\/i\u003Ean audio trail that leads you around the Freud Museum as you hear the disturbing and sad story of a boy called Nathaniel. He grew up in this house, with every ornament, photograph and fitting pregnant with memories - not all of them happy ones.\u003C\/span\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-dT-bO65zbI4\/XbrlXBlbv5I\/AAAAAAAAjwo\/LJFDvsElTZ04ttgmFgPZ-Ds8_p9bzHUUQCEwYBhgL\/s1600\/20191031_134200.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1600\" data-original-width=\"1482\" height=\"640\" src=\"https:\/\/1.bp.blogspot.com\/-dT-bO65zbI4\/XbrlXBlbv5I\/AAAAAAAAjwo\/LJFDvsElTZ04ttgmFgPZ-Ds8_p9bzHUUQCEwYBhgL\/s640\/20191031_134200.jpg\" width=\"592\" \/\u003E\u003C\/span\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003EI love audio pieces like this as they make you into a silent participant in the story. Rather than simply absorbing a narrative it's as if the character is whispering it directly to you. \u003Ci\u003EThe Sandman\u003C\/i\u003E\u0026nbsp;makes you feel connected with both character and place, with the trail placing you in his shoes.\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003ENathaniel's memories become your own, and ordinary actions like peering into a mirror take on an unnerving new feeling. Ordinarily, you wouldn't sense the uncanny quite so strongly when examining your own reflection, but the vivid writing and performance can't help but send a shiver up your spine.\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EDearnley also successfully fights an uphill battle with these surroundings. Despite the Freud Museum being full of objectively creepy things like ancient relics, old masks and photos of children now long dead of old age, it's an open, warm and homely environment.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003ESo it's to her credit that she zeroes in on ways to make you uncomfortable within it: asking you to examine the cruel curled lip of an Egyptian mask or stare on at a gallery of former lovers while picturing a battlefield corpse with pecked out eyes.\u003C\/span\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-5nd8zyKl72A\/XbrlXVcjhBI\/AAAAAAAAjws\/KPtnAwD5Nnw3nmmaU6YLGOrmN_Mqr7zDQCEwYBhgL\/s1600\/20191031_134126.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cimg border=\"0\" data-original-height=\"778\" data-original-width=\"1600\" height=\"310\" src=\"https:\/\/1.bp.blogspot.com\/-5nd8zyKl72A\/XbrlXVcjhBI\/AAAAAAAAjws\/KPtnAwD5Nnw3nmmaU6YLGOrmN_Mqr7zDQCEwYBhgL\/s640\/20191031_134126.jpg\" width=\"640\" \/\u003E\u003C\/span\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003EI won't spoil the particulars, but the finale is an 'immersive' room that fully draws you into the story, bringing Nathaniel's buried past rushing back up to the surface. It's bathed in the cool glow of ultraviolet light, giving white furnishings a supernatural quality.\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003EThere are also a series of two-way mirrors designed to transform the observers face into a blank mask and a Matryoshka doll style miniature-room-within-a-room diorama. It's creepy stuff, especially if you're lucky enough to spend time in here on your own.\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThe Freud Museum is worth a visit any time of year but this particular exhibition really knocks it out of the park. Full credit to all the artists involved.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Ci\u003EThe Uncanny: A Centenary runs until 9th February 2020. \u003Ca href=\"https:\/\/www.freud.org.uk\/exhibitions\/the-uncanny-a-centenary\/\" target=\"_blank\"\u003EInformation here.\u003C\/a\u003E\u003C\/i\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cspan style=\"font-family: georgia, times new roman, serif; font-size: x-small;\"\u003E\u003Ci\u003E*(Full disclosure: I know Elizabeth Dearnley personally, but am being objective!)\u003C\/i\u003E\u003C\/span\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/www.londoncitynights.com\/feeds\/1674616828944424739\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2019\/10\/review-uncanny-at-freud-museum-30th.html#comment-form","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/1674616828944424739"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/1674616828944424739"},{"rel":"alternate","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2019\/10\/review-uncanny-at-freud-museum-30th.html","title":"Review: 'The Uncanny' at the Freud Museum, 30th October 2019"}],"author":[{"name":{"$t":"londoncitynights"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05709416402447278223"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"31","src":"http:\/\/2.bp.blogspot.com\/-_dEgl2Z35ZM\/UmwOg24QzOI\/AAAAAAAAH5g\/nRmISOmDrk0\/s220\/lcn%2Btwitter%2Bavpsd.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/1.bp.blogspot.com\/-dhRyBhCw8oY\/XbrlYR-PtVI\/AAAAAAAAjwk\/cYmelT9kTgougafLPSJzipgivKEUiuNDACLcBGAsYHQ\/s72-c\/%25C2%25A9-Karolina-Urbaniak-Martin-Bladh-8-1024x778.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-4538517798140197216.post-8622511704252137865"},"published":{"$t":"2019-07-10T14:09:00.001+01:00"},"updated":{"$t":"2019-07-10T14:38:07.601+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"art"},{"scheme":"http://www.blogger.com/atom/ns#","term":"exhibition"},{"scheme":"http://www.blogger.com/atom/ns#","term":"one canada square"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Silvia Ziranek"}],"title":{"type":"text","$t":"'IT IS IS IT' by Silvia Ziranek, One Canada Square"},"content":{"type":"html","$t":"\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-QikXNq5QdVU\/XSXiZ8QPa0I\/AAAAAAAAhf0\/lrYbx9BRUhEco5q-Zxxikr4Ruharzn-nQCLcBGAs\/s1600\/1.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"534\" data-original-width=\"1600\" height=\"212\" src=\"https:\/\/1.bp.blogspot.com\/-QikXNq5QdVU\/XSXiZ8QPa0I\/AAAAAAAAhf0\/lrYbx9BRUhEco5q-Zxxikr4Ruharzn-nQCLcBGAs\/s640\/1.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThe first time I saw Silvia Ziranek perform was in front of a garage behind some flats in Bethnal Green. She was clearly a cut above the rest: my \u003Ca href=\"http:\/\/www.londoncitynights.com\/2013\/04\/lupa-18-behind-james-campbell-house.html\" target=\"_blank\"\u003Econclusion was that she was brilliant\u003C\/a\u003E and that \"\u003Ci\u003EIt's a difficult thing to look classy with a panettone balanced on your head, but she effortlessly manages it\u003C\/i\u003E\u003C\/span\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Ci\u003E.\u003C\/i\u003E\"\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003ENow she's the subject of an exhibition in the lobby of One Canada Square. This monolithic skyscraper is one of the primary symbols of capitalist Britain: a giant glass and steel obelisk penetrating the docklands sky, capped by a glass pyramid with a blinking eye on top. The symbolism kinda writes itself. In and around it lie the lairs of big finance: Morgan Stanley, Credit Suisse, Citi, HSBC, Deutsche Bank and so on. So how does Ziranek's playful, feminine and enigmatic perspective fit into this pin-striped world?\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-4GcQcSLD9mU\/XSXiaxVpWBI\/AAAAAAAAhf8\/irbn7OZbneYP4uyvVTrXG2ff1aSVLUGTACLcBGAs\/s1600\/20190709_192925.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"778\" data-original-width=\"1600\" height=\"312\" src=\"https:\/\/1.bp.blogspot.com\/-4GcQcSLD9mU\/XSXiaxVpWBI\/AAAAAAAAhf8\/irbn7OZbneYP4uyvVTrXG2ff1aSVLUGTACLcBGAs\/s640\/20190709_192925.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EAs it turns out, it doesn't. And that's why the exhibition works. The lobby of One Canada Square is a cavernous, marbled place designed to impress and intimidate - to instil in visitors the notion that this is where very important things happen.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Ci\u003E\u003Cbr \/\u003E\u003C\/i\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Ci\u003EIT IS IS IT\u003C\/i\u003E\u0026nbsp;subverts that. Most eye-catching are the\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003Eselection of sloganeering badges (\"ANYONE CAN APRON\", \"IT'S ME OR NEVER\", \"NOT UNDIRTY\") that have been distributed throughout the years at her performances - blown up to fifty times their original size and pasted onto the walls. Seeing them festooned on the walls (and on Ziranek herself) makes the building (or at least its lobby) feel like an extension of the artist herself. Accompanying them are various messages, prose that agonisingly teeters on the edge of comprehension:\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cblockquote class=\"tr_bq\" style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\"ONLY POLITICS ARE REQUIRED TO MAKE THIS BEAUTIFUL BRICKWORK COMPLETE OR DID YOU WANT TO MARRY A BOOKEND? MARRY AN OAK: FOLK MAY ENJOY DEBATING YOUR NO-RUST POTENTIAL AS AN OCCASIONAL MUST-HAVE\"\u003C\/span\u003E\u003C\/blockquote\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003EIn addition to the badges, there are various paraphernalia from her archive: outfits, photographs, jewellery, leaflets and an extremely fetching collection of tiaras. There are also several life-size photographs pasted onto the walls. These show Ziranek\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003Ein an appropriately regal-looking gold and purple outfit, hand on cocked hip,\u003C\/span\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u0026nbsp;haughtily staring down the hordes of bankers that will pass by her each day.\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-6hLXSPYzulQ\/XSXiZ7Y8q-I\/AAAAAAAAhgI\/Jvqsmj06-I8eaEnR2L9HGafUXYD9QRFGgCEwYBhgL\/s1600\/20190709_192425.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"1600\" data-original-width=\"1117\" height=\"640\" src=\"https:\/\/1.bp.blogspot.com\/-6hLXSPYzulQ\/XSXiZ7Y8q-I\/AAAAAAAAhgI\/Jvqsmj06-I8eaEnR2L9HGafUXYD9QRFGgCEwYBhgL\/s640\/20190709_192425.jpg\" width=\"448\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThe bits of the exhibition that emphasise the contrast between these two worlds are what made it fizz for me. I loved the austere white exhibition cases lined with pink fur, official-looking perspex boxes full of poppy and disposable stickers and sculptures made from children's lettering or safety scissors.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThe biggest risk that this exhibition is running is that Ziranek's best work over the years is herself. Billed as \"one of Britain's foremost Performance Artists\", it'd be all too easy for this exhibition to lack a lodestar without the artist herself being present - how are you supposed to place this stuff in context without actually seeing her perform?\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-PehnrGB5l_8\/XSXiZ76YFUI\/AAAAAAAAhgA\/1On5gWN29E08WpEIrA6_ro7ICemjOFoYACEwYBhgL\/s1600\/20190709_192724.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"610\" data-original-width=\"1600\" height=\"244\" src=\"https:\/\/1.bp.blogspot.com\/-PehnrGB5l_8\/XSXiZ76YFUI\/AAAAAAAAhgA\/1On5gWN29E08WpEIrA6_ro7ICemjOFoYACEwYBhgL\/s640\/20190709_192724.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EIt's an impossible question for me to answer given that I'm familiar with her work, though there's such a strong sense of her personality in this art that any viewer should be able to quite accurately infer who Silvia Ziranek is and what she represents.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003EI can't quite get over how surreal it is to see an artist I'm familiar with in such intensely corporate surroundings. This is the kind of setting that would steamroller most artists into fine dust, but \u003Ci\u003EIT IS IS IT\u003C\/i\u003E\u0026nbsp;succeeds as a distillation of Ziranek's work to date and mischievously tweaks the nose of the\u0026nbsp;patrician class this building caters for.\u003C\/span\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Ci\u003E\u003Cspan style=\"font-size: large;\"\u003EIT IS IS IT is at One Canada Square, Canary Wharf until 16 August.\u0026nbsp;\u003C\/span\u003E\u003C\/i\u003E\u003C\/span\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/www.londoncitynights.com\/feeds\/8622511704252137865\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2019\/07\/it-is-is-it-by-silvia-ziranek-one.html#comment-form","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/8622511704252137865"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/8622511704252137865"},{"rel":"alternate","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2019\/07\/it-is-is-it-by-silvia-ziranek-one.html","title":"'IT IS IS IT' by Silvia Ziranek, One Canada Square"}],"author":[{"name":{"$t":"londoncitynights"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05709416402447278223"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"31","src":"http:\/\/2.bp.blogspot.com\/-_dEgl2Z35ZM\/UmwOg24QzOI\/AAAAAAAAH5g\/nRmISOmDrk0\/s220\/lcn%2Btwitter%2Bavpsd.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/1.bp.blogspot.com\/-QikXNq5QdVU\/XSXiZ8QPa0I\/AAAAAAAAhf0\/lrYbx9BRUhEco5q-Zxxikr4Ruharzn-nQCLcBGAs\/s72-c\/1.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-4538517798140197216.post-263914186666640020"},"published":{"$t":"2018-06-21T13:50:00.000+01:00"},"updated":{"$t":"2018-06-24T13:48:38.986+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"australia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Captain James Cook"},{"scheme":"http://www.blogger.com/atom/ns#","term":"exhibition"},{"scheme":"http://www.blogger.com/atom/ns#","term":"history"},{"scheme":"http://www.blogger.com/atom/ns#","term":"immigration"},{"scheme":"http://www.blogger.com/atom/ns#","term":"The British Library"},{"scheme":"http://www.blogger.com/atom/ns#","term":"windrush"}],"title":{"type":"text","$t":"Review: 'James Cook: The Voyages' \u0026 'Windrush: Songs in a Strange Land' at the British Library, 20th June 2018"},"content":{"type":"html","$t":"\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-jBOsJ2Fbjjo\/WyucUSQfEEI\/AAAAAAAAWlk\/7nkbkKFlWdc7gFgU8uSxJCUD99XA38iiQCLcBGAs\/s1600\/Dbx5HcpWsAoclLa.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"415\" data-original-width=\"737\" height=\"360\" src=\"https:\/\/4.bp.blogspot.com\/-jBOsJ2Fbjjo\/WyucUSQfEEI\/AAAAAAAAWlk\/7nkbkKFlWdc7gFgU8uSxJCUD99XA38iiQCLcBGAs\/s640\/Dbx5HcpWsAoclLa.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EOn 26th August 1768, Captain James Cook departed Plymouth aboard HMS Endeavour with the stated objective of observing the Transit of Venus from Tahiti (thus helping determine Earth's distance from the sun), together with a more confidential mission to search the south Pacific for Terra Australis Incognita - the mysterious unknown southern continent. By the time he returned in July 1771 he had redrawn the globe, charting the eastern coast of Australia and New Zealand and had had first contact with multiple indigenous peoples.\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E \u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThe British Library's \u003Ci\u003EJames Cook: The Voyages\u003C\/i\u003E\u0026nbsp;displays a wealth of documents, sketches, and artefacts from this first voyage and two subsequent ones to Antarctic waters and his doomed quest for the fabled North-West passage from the Pacific to the Atlantic.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EFrom the British perspective, these were courageous ventures into a savage land, with Cook's scientific explorations a gateway to the commercial expansion of the Empire. For the indigenous peoples, Cook's boot landing on their shores marks the beginning of their racial, economic and cultural subjugation and exploitation under colonial rule, the consequences of which still reverberate today.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003EThe exhibition leans into this dichotomy, subverting every bit of patriotic swashbuckling with representatives of the cultures explaining how their ancestors dealt with Cook's arrival.\u0026nbsp;\u003C\/span\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003EIts impossible to conclude whether Cook's voyages were a net good or evil, with perhaps the best summary being a Maori historian who shrugs with resignation: \"It happened\".\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-PRhO3DeotcQ\/Wy-S5uWImqI\/AAAAAAAAWmw\/1Vc_dDae2gke9GNb-Q6nbkvk5jBFeJV0wCEwYBhgL\/s1600\/Chart%2BShowing%2Bthe%2BRoute%2Bof%2Bthe%2BVoyage%2B-%2BUnidentified%2Bdraughtsman%252C%2Bc1775_001.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"666\" data-original-width=\"1000\" height=\"426\" src=\"https:\/\/4.bp.blogspot.com\/-PRhO3DeotcQ\/Wy-S5uWImqI\/AAAAAAAAWmw\/1Vc_dDae2gke9GNb-Q6nbkvk5jBFeJV0wCEwYBhgL\/s640\/Chart%2BShowing%2Bthe%2BRoute%2Bof%2Bthe%2BVoyage%2B-%2BUnidentified%2Bdraughtsman%252C%2Bc1775_001.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: georgia, \u0026quot;times new roman\u0026quot;, serif; font-size: large;\"\u003EAs you travel through the various rooms you find yourself weighing up the morality of Cook. Even if you walk in armed with the knowledge of the consequences of colonialism, it's easy to feel an exhilarating \u003C\/span\u003E\u003Ci style=\"font-family: georgia, \u0026quot;times new roman\u0026quot;, serif; font-size: x-large;\"\u003EBoy's Own\u003C\/i\u003E\u003Cspan style=\"font-family: georgia, \u0026quot;times new roman\u0026quot;, serif; font-size: large;\"\u003E\u0026nbsp;call to adventure when you look at an unfinished map of the world with 'Parts Unknown' in the distant corners. Similarly, when you get into the nitty-gritty logistics of the expedition - the navigational\u0026nbsp;methods, keeping the crew alive, methods of communicating with distant peoples and the sheer distance travelled - you begin to understand the scale of what these men set out to achieve.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThe emotional heart of the exhibition is a series of sketches and drawings created on these voyages - their impact amplified by the fact that most of these artists died before returning home. An obvious highlight is Sydney Parkinson's tentative sketch of a 'kangooroo', in which you sense how important the artist knew it was to get the details right to communicate this surreal animal to audiences back in Britain.\u0026nbsp;\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-8pa19ctuJ_g\/Wy-S53i1lMI\/AAAAAAAAWm4\/0krMmcw4wIcJ8T7rNnQIJ2g3mOVU4zRdACEwYBhgL\/s1600\/Abel%2BTasman%2B-%2BAbel%2BTasman%2527s%2Bjournal%252C%2B1642-45%252C%2Bmade%2Bfor%2BJoseph%2BBanks_002.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"666\" data-original-width=\"1000\" height=\"426\" src=\"https:\/\/4.bp.blogspot.com\/-8pa19ctuJ_g\/Wy-S53i1lMI\/AAAAAAAAWm4\/0krMmcw4wIcJ8T7rNnQIJ2g3mOVU4zRdACEwYBhgL\/s640\/Abel%2BTasman%2B-%2BAbel%2BTasman%2527s%2Bjournal%252C%2B1642-45%252C%2Bmade%2Bfor%2BJoseph%2BBanks_002.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: georgia, \u0026quot;times new roman\u0026quot;, serif; font-size: large;\"\u003EThen there are the careful profiles of the facial tattoos of Maori warriors. First contact was violent and relations were uneasy, but there's a respect baked into the artist's precise lines - as if they recognised a reflection of their own martial discipline in this alien culture.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EDramatic paintings from the second voyage by William Hodges also thrill, particularly a fantastically widescreen 'Cinerama' view of Polynesian war canoes on display. They look like science fiction apparitions, scenes that wouldn't look out of place in Moebius'\u0026nbsp;\u003Ci\u003EL'Incal. \u003C\/i\u003ELater paintings of the ships dwarfed by icebergs in the Atlantic make the ship look as if it has breached a strange unknown dimension, a little wooden husk of civilisation bobbing between uncontrollable cosmic forces.\u003C\/span\u003E\u003Cbr \/\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-dh_Eb6OMgZU\/Wy-S5kw_k-I\/AAAAAAAAWm0\/xA7JY6LRh_YD3i43Kr0I1v1W4BK-vvEtACLcBGAs\/s1600\/SLP-030.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"377\" data-original-width=\"1000\" height=\"240\" src=\"https:\/\/1.bp.blogspot.com\/-dh_Eb6OMgZU\/Wy-S5kw_k-I\/AAAAAAAAWm0\/xA7JY6LRh_YD3i43Kr0I1v1W4BK-vvEtACLcBGAs\/s640\/SLP-030.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EIt's easy to get swept up in this romance, but the careful layering in of the consequences of Cook's actions means we're never in danger of hagiography. By the time we get to his death at the hands of a Hawaiian tribe he appears to have waged a pointless war on, it feels like a fitting end to his story.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EBut, functioning almost as an extended epilogue, the neighbouring exhibition \u003Ci\u003EWindrush: Songs in a Strange Land\u003C\/i\u003E\u0026nbsp;continues some of the themes of \u003Ci\u003EThe Voyages.\u003C\/i\u003E\u0026nbsp;We get a quick recap of British slavery, emancipation and Empire in the Caribbean, the historical forces that brought HMT Empire Windrush to Britain with 800 Jamaican passengers hoping for work. It was neither the first nor the last of these trips, but for some reason, it is this arrival that has lodged firmly in the British consciousness (and is obviously extremely timely right now).\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EWhat's on display closes a historical circle:\u0026nbsp; Britain ventures out into the world, exploits and commercialises its resources and peoples, builds an Empire on which the sun never sets, and begins a process of transforming people into mirrors of British values. Of course, cultural cross-pollination was also happening, with Britishness changing to accommodate its new\u0026nbsp; Imperial citizens - beautifully symbolised by the exhibits showing Caribbean culture in Britain.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EIt's often said we live in the age of identity politics - if that is true then we need to not only understand what our identity is, but the ways in which it has and will continue to evolve. These two exhibitions let us sip at the primordial soup of the modern Britishness: showing not only how we changed the world, but how it changed us. It's a sentiment beautifully summarised in Michel Tuffery's \u003Ci\u003ECookie in the Cook Islands,\u003C\/i\u003E\u0026nbsp;imagining Captain Cook transformed by his explorations, with Polynesian features and flowers in his hair.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/3.bp.blogspot.com\/-Xt9ZZkslb_k\/WyucTx09Z-I\/AAAAAAAAWlc\/yxMoLkoasp0-bVJI8nwf3aXzuoHI8mjvwCLcBGAs\/s1600\/AN00841388_001_l.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" data-original-height=\"488\" data-original-width=\"750\" height=\"416\" src=\"https:\/\/3.bp.blogspot.com\/-Xt9ZZkslb_k\/WyucTx09Z-I\/AAAAAAAAWlc\/yxMoLkoasp0-bVJI8nwf3aXzuoHI8mjvwCLcBGAs\/s640\/AN00841388_001_l.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Ci style=\"font-family: Georgia, \u0026quot;Times New Roman\u0026quot;, serif; font-size: large;\"\u003ECaptain Cook: The Voyages is open until 27 August. Windrush: Songs in a Strange Land is open until October 21st. \u003Ca href=\"https:\/\/www.bl.uk\/events?eventsubtype=exhibition\"\u003EDetails here\u003C\/a\u003E.\u003C\/i\u003E\u003Cbr \/\u003E\u003Ci style=\"font-family: Georgia, \u0026quot;Times New Roman\u0026quot;, serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/i\u003E \u003Ci style=\"font-family: Georgia, \u0026quot;Times New Roman\u0026quot;, serif; font-size: large;\"\u003EThanks to Crafted Media for the invitation.\u003C\/i\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/www.londoncitynights.com\/feeds\/263914186666640020\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2018\/06\/review-james-cook-voyages-windrush.html#comment-form","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/263914186666640020"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/263914186666640020"},{"rel":"alternate","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2018\/06\/review-james-cook-voyages-windrush.html","title":"Review: 'James Cook: The Voyages' \u0026 'Windrush: Songs in a Strange Land' at the British Library, 20th June 2018"}],"author":[{"name":{"$t":"londoncitynights"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05709416402447278223"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"31","src":"http:\/\/2.bp.blogspot.com\/-_dEgl2Z35ZM\/UmwOg24QzOI\/AAAAAAAAH5g\/nRmISOmDrk0\/s220\/lcn%2Btwitter%2Bavpsd.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/4.bp.blogspot.com\/-jBOsJ2Fbjjo\/WyucUSQfEEI\/AAAAAAAAWlk\/7nkbkKFlWdc7gFgU8uSxJCUD99XA38iiQCLcBGAs\/s72-c\/Dbx5HcpWsAoclLa.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-4538517798140197216.post-1146750533059779537"},"published":{"$t":"2016-09-30T19:38:00.000+01:00"},"updated":{"$t":"2016-10-03T13:27:26.665+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"art"},{"scheme":"http://www.blogger.com/atom/ns#","term":"clothes"},{"scheme":"http://www.blogger.com/atom/ns#","term":"design"},{"scheme":"http://www.blogger.com/atom/ns#","term":"exhibition"},{"scheme":"http://www.blogger.com/atom/ns#","term":"fordlandia"},{"scheme":"http://www.blogger.com/atom/ns#","term":"london college of fashion"}],"title":{"type":"text","$t":"'Fordlandia' at the London College of Fashion"},"content":{"type":"html","$t":"\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-3iWN2H9MjHY\/V-6wwYNYD0I\/AAAAAAAASB8\/C2HnOaQuX5A4OdoteFxQC-iYdwoyglZrwCLcB\/s1600\/20160921_193621.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"306\" src=\"https:\/\/4.bp.blogspot.com\/-3iWN2H9MjHY\/V-6wwYNYD0I\/AAAAAAAASB8\/C2HnOaQuX5A4OdoteFxQC-iYdwoyglZrwCLcB\/s640\/20160921_193621.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u0026nbsp;\u003C\/div\u003E\u003Cblockquote class=\"tr_bq\" style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\"\u003Ci\u003EIs a man not entitled to the sweat of his brow? 'No!' says the man in Washington, 'It belongs to the poor.' 'No!' says the man in the Vatican, 'It belongs to God.' 'No!' says the man in Moscow, 'It belongs to everyone.' I rejected those answers; instead, I chose something different. I chose the impossible. I chose... Fordlandia.\u003C\/i\u003E\"\u003C\/span\u003E\u003C\/blockquote\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003ESo said Henry Ford, christening his secluded utopian city, located deep in the heart of the Amazon. Here, far from the prying eyes of Big Government, the philosophical concepts that powered Ford's company could blossom, and a pure technological, moral and cultural revolution would ensue. Optimism fizzed as the ground was broken and first buildings erected. Hopeful workers journed to the rainforest in droves, eager for a taste of Ford's bright new future. Yet now the dream is in ruins; machinery clogged up with muck, roofs caved under the weight of vines; the jungle having reclaimed its land.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EOkay, okay. Henry Ford didn't \u003Ci\u003Eactually\u003C\/i\u003E\u0026nbsp;say the quote up above. It's from the videogame \u003Ci\u003EBioshock\u003C\/i\u003E, in which a 20th century industrialist sets up a secluded utopian city, Rapture,\u0026nbsp;based on his own philosophical principles. The city is run under strict behavioural controls. Everything quickly goes to hell, and the city ends up ruined and reconquered by nature. Also it's full of crazed genetic mutants. The similarities are striking*, Fordlandia a powerful symbol of reliance on ideology, mankind's hubris and the nature's indifference to men's dreams.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: x-small;\"\u003E*Okay there's \u003Ci\u003Ecurrently \u003C\/i\u003Eno evidence of hordes of crazed genetic mutants in Fordlandia\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThe city once more proves its inspirational worth in Studio Swine's \u003Ci\u003EFordlandia \u003C\/i\u003Eexhibition, at the London College of Fashion. The concept behind the collection is to imagine what Fordlandia might have been like if it had succeeded. To this end it uses materials from the rainforest - primarily the abundance of natural rubber, but also woods, animal skins and tribal inspired designs.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-eNwSPatWsaU\/V-6wwvKDAMI\/AAAAAAAASCA\/xItzZvI5N_oD4rFvCrMlOVYVHmlhFpcjgCLcB\/s1600\/20160921_192559.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"392\" src=\"https:\/\/4.bp.blogspot.com\/-eNwSPatWsaU\/V-6wwvKDAMI\/AAAAAAAASCA\/xItzZvI5N_oD4rFvCrMlOVYVHmlhFpcjgCLcB\/s640\/20160921_192559.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThing is, \u003C\/span\u003E\u003Ci style=\"font-family: Georgia, \u0026quot;Times New Roman\u0026quot;, serif; font-size: x-large;\"\u003EFordlandia \u003C\/i\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003Eposits that for Ford's project to have succeeded, nature and industry would have had to have entered a symbiotic relationship, each taking inspiration from the other. This is the world that \u003C\/span\u003E\u003Ci style=\"font-family: Georgia, \u0026quot;Times New Roman\u0026quot;, serif; font-size: x-large;\"\u003EFordlandia \u003C\/i\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003Epresents: a sustainable, ecologically minded hand-made paradise of natural fibres, organic forms and hand-crafted objects. Now, you can go back and forth as to whether this would be how a working jungle-city might look, but one thing's for sure - Ford would have hated it.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EFrom what I can gather from Greg Grandin's excellent book\u0026nbsp;\u003Ci\u003EFordlandia: the Rise and Fall of Henry Ford's Forgotten Jungle City\u003C\/i\u003E, the place was intended to dominate and pacify nature rather than work with it. The jungle was slashed and burned, the bulldozed level - \u0026nbsp;as if Ford were trying to exorcise some untamed spirit from the soil. Sewn into the fabric of the city was an aggressive sense of industry, the city and its citizens part of some giant machine dedicated to churning out rubber. This rigidity can be seen in the way Ford envisaged his workers living: strict work schedules, uniforms, a ban on alcohol consumption, dietary controls on unhealthy food and (perhaps most monstrous of all) enforced square dancing *shudder*.\u0026nbsp;\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EBut perhaps the clearest example is the failure of Fordlandia's \u003Ci\u003Eraison d'etre\u003C\/i\u003E: rubber production. The monetary and industrial justification for the place was that it would solve the problem of farming rubber trees. Whilst experiments had been made in transplanting them elsewhere, botanists figured their natural climate would be most successful. What they didn't understand was the rubber tree's place in an ecosystem. Their regimented rows of trees generally failed to take roots and those that did were ruined by blight.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/4.bp.blogspot.com\/-gP7JqZKGBNE\/V-6wwDhNqXI\/AAAAAAAASB4\/xXIqsv_5h64k4qSxavfubW8MmrcPZoEBwCLcB\/s1600\/20160921_192646.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"352\" src=\"https:\/\/4.bp.blogspot.com\/-gP7JqZKGBNE\/V-6wwDhNqXI\/AAAAAAAASB4\/xXIqsv_5h64k4qSxavfubW8MmrcPZoEBwCLcB\/s640\/20160921_192646.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EFordlandia was so fiercely geared \u0026nbsp;to conquering nature through human ingenuity that I just can't connect the philosophy of this exhibition to the history. A 'successful' Fordlandia would have somehow pummelled the jungle into submission through the application of science, managed to harness industrial production of rubber and created a wholly artificial, synthetic society that existed in hermetic seclusion in the rainforest. For it to become ecologically minded, with an arts and crafts aesthetic simply doesn't make sense.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EWhat this exhibition has come up with isn't an extension of \u003Ci\u003EFordlandia\u003C\/i\u003E, it merely shares a root idea: what would a sustainable urban environment within the rainforest look like (we'll ignore Manaus for the moment). The exhibition blurb says that it \"\u003Ci\u003Eimagines a world where Fordlandia is a success\u003C\/i\u003E\". It doesn't. That would probably look like an unfriendly, near-totalitarian misery-fest. What \u003Ci\u003EFordlandia\u003C\/i\u003E\u0026nbsp;proves to be is a slightly underwhelming collection of rainforest-influenced furniture and clothes that don't really have much connection to the historical Fordlandia at all.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Ci\u003EFordlandia is at the London College of Fashion until 10 December. \u003Ca href=\"http:\/\/www.fashionspacegallery.com\/exhibition\/fordlandia\/\"\u003EDetails here.\u003C\/a\u003E\u003C\/i\u003E\u003C\/span\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/www.londoncitynights.com\/feeds\/1146750533059779537\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2016\/09\/fordlandia-at-london-school-of-fashion.html#comment-form","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/1146750533059779537"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/1146750533059779537"},{"rel":"alternate","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2016\/09\/fordlandia-at-london-school-of-fashion.html","title":"'Fordlandia' at the London College of Fashion"}],"author":[{"name":{"$t":"londoncitynights"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05709416402447278223"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"31","src":"http:\/\/2.bp.blogspot.com\/-_dEgl2Z35ZM\/UmwOg24QzOI\/AAAAAAAAH5g\/nRmISOmDrk0\/s220\/lcn%2Btwitter%2Bavpsd.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/4.bp.blogspot.com\/-3iWN2H9MjHY\/V-6wwYNYD0I\/AAAAAAAASB8\/C2HnOaQuX5A4OdoteFxQC-iYdwoyglZrwCLcB\/s72-c\/20160921_193621.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}},{"id":{"$t":"tag:blogger.com,1999:blog-4538517798140197216.post-1861636420470353578"},"published":{"$t":"2016-09-19T15:00:00.000+01:00"},"updated":{"$t":"2016-09-19T15:05:26.929+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"art"},{"scheme":"http://www.blogger.com/atom/ns#","term":"charlotte chw"},{"scheme":"http://www.blogger.com/atom/ns#","term":"exhibition"},{"scheme":"http://www.blogger.com/atom/ns#","term":"nhs"},{"scheme":"http://www.blogger.com/atom/ns#","term":"st pancras hospital"}],"title":{"type":"text","$t":"'The Art of Caring' at St Pancras Hospital, 18th September 2016"},"content":{"type":"html","$t":"\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-1e0EXWiXDMM\/V9_s7g8tZ8I\/AAAAAAAAR_s\/iiWHNIxYLIAykptM9k_dvC1xeDMmeowaACEw\/s1600\/The%2BArt%2Bof%2BCaring_0.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"344\" src=\"https:\/\/1.bp.blogspot.com\/-1e0EXWiXDMM\/V9_s7g8tZ8I\/AAAAAAAAR_s\/iiWHNIxYLIAykptM9k_dvC1xeDMmeowaACEw\/s640\/The%2BArt%2Bof%2BCaring_0.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003EYou feel a weird combination of reassurance and worry walking through the doors of an NHS clinic. The staff are busy yet friendly, the walls are festooned with upbeat primary coloured posters and there's a pleasantly paternalistic atmosphere. This is a place designed to make you well, doing its level best to send you out the door in better shape than you walked in.\u0026nbsp;\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003EBut then you notice the damp on the walls, the peeling paint and furniture that hasn't been replaced in 20 years. The NHS is suffering the death of a thousand cuts: the victim of a government ideologically opposed to a free at the point of use publicly owned health service. Jeremy Hunt assures us that they're merely 'modernising' the NHS when anyone with a glimmer of sense can see that he's setting it up to fail, its carcass fodder for the circling corporate vultures of the American healthcare industry. I mean, if it's not making investors any money, what's the point of it?\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003ESo it's wonderful to see an exhibition like \u003Ci\u003EThe Art of Caring - \u003C\/i\u003Ea collection of work from nurses, patients and artists depicting their ideas on the theme of caring, specifically nursing. The exhibition is collaboration between Kingston University, The Arts Project and Camden \u0026amp; Islington NHS Foundation Trust, featuring work that ranges from photography, painting, performance and sculpture. Some of it is professional and polished, some is rough and passionate, but all displays a tenderness and empathy that perfectly suits the surroundings.\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif;\"\u003E\u003Cspan style=\"font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: center;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/2.bp.blogspot.com\/-49BUFraITVo\/V9_sTBbxAFI\/AAAAAAAAR_0\/jR0ctu6DyM8czn1vc6-Iyd5buY8o79DsACEw\/s1600\/20160918_152025%2B%25282%2529.jpg\" imageanchor=\"1\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" height=\"442\" src=\"https:\/\/2.bp.blogspot.com\/-49BUFraITVo\/V9_sTBbxAFI\/AAAAAAAAR_0\/jR0ctu6DyM8czn1vc6-Iyd5buY8o79DsACEw\/s640\/20160918_152025%2B%25282%2529.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003Ci\u003E(Fractured Memories) Doll Therapy by Aran Illingworth\u003C\/i\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThere's a lot to take in here, but I particularly enjoyed the following. \u003C\/span\u003E\u003Ci style=\"font-family: Georgia, \u0026quot;Times New Roman\u0026quot;, serif; font-size: x-large;\"\u003E(Fractured Memories) Doll Therapy \u003C\/i\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003Eby Aran Illingworth. It's a quietly devastating canvas piece about Alzheimers, capturing a painful morsel of misery in the eyes of someone whose memory is gradually eroding away. The arts n crafts textile look adds to the emotional wallop, not only looking like something a kindly grandmother might make, but the rough shapes and soft fabric underlining the subjects humanity and increasingly blurry edges.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: center;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/1.bp.blogspot.com\/-7jioo69KaFo\/V9_sTHW-xKI\/AAAAAAAAR_0\/Rl0zTNYfGXQqTKpMEXq3JuCBwCaFZphIgCEw\/s1600\/20160918_153354%2B%25282%2529.jpg\" imageanchor=\"1\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" height=\"640\" src=\"https:\/\/1.bp.blogspot.com\/-7jioo69KaFo\/V9_sTHW-xKI\/AAAAAAAAR_0\/Rl0zTNYfGXQqTKpMEXq3JuCBwCaFZphIgCEw\/s640\/20160918_153354%2B%25282%2529.jpg\" width=\"434\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003Ci\u003EComfort and Joy - \u003C\/i\u003ESusie Mendelsson\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EOn a slightly different wavelength is Susie Mendelsson's \u003Ci\u003EComfort and Joy\u003C\/i\u003E, a bizarre mixed-media sculpture of a creepily wizened homunculus approaching a baby from behind while a tiny man stares on in horror. It's disturbing stuff, the soft manufactured plastic of the doll contrasting with the hand-carved chaos of the monster. That title has got to be a joke, because there's precious little comfort or joy in this\u003C\/span\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E. If I had to pick out a meaning, it seems to speak of a mother's trauma at losing a baby, then feeling guilt that the next one survives. Even as she cares for her healthy baby, she cannot help but imagine the forgotten one, balefully staring on in jealousy.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: center;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/2.bp.blogspot.com\/-SJJhgBF6ktk\/V9_sWBLOGqI\/AAAAAAAAR_0\/LJyg3i1xn1c8uwIX5vAqFWv8quRkOZxwACEw\/s1600\/20160918_154148.jpg\" imageanchor=\"1\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" height=\"440\" src=\"https:\/\/2.bp.blogspot.com\/-SJJhgBF6ktk\/V9_sWBLOGqI\/AAAAAAAAR_0\/LJyg3i1xn1c8uwIX5vAqFWv8quRkOZxwACEw\/s640\/20160918_154148.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003E\u003Ci\u003EOne Day at a Time - \u003C\/i\u003ESusie Mendelsson\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EAlso by Mendelsson is \u003Ci\u003EOne Day at a Time\u003C\/i\u003E, depicting a worried looking person weighed down by faceless little men. This is a little easier to parse, but no less effective. Here the effect of the paranoias, traumas and miseries of the past is literalised, showing them crawling all over an apparently normal person going about their day to day life. It looks suitably nightmarish, the haunted expression of the central figure conveying a palpable desperation.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Ctable align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto; text-align: center;\"\u003E\u003Ctbody\u003E\u003Ctr\u003E\u003Ctd style=\"text-align: center;\"\u003E\u003Ca href=\"https:\/\/3.bp.blogspot.com\/-MivmBZbG_0M\/V9_sS5HdS1I\/AAAAAAAAR_0\/v_EFFBzFSJIYZM8MkamMup_ivJG5K6TJwCEw\/s1600\/20160918_152613%2B%25282%2529.jpg\" imageanchor=\"1\" style=\"margin-left: auto; margin-right: auto;\"\u003E\u003Cimg border=\"0\" height=\"314\" src=\"https:\/\/3.bp.blogspot.com\/-MivmBZbG_0M\/V9_sS5HdS1I\/AAAAAAAAR_0\/v_EFFBzFSJIYZM8MkamMup_ivJG5K6TJwCEw\/s640\/20160918_152613%2B%25282%2529.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/td\u003E\u003C\/tr\u003E\u003Ctr\u003E\u003Ctd class=\"tr-caption\" style=\"text-align: center;\"\u003ECharlotte CHW\u003C\/td\u003E\u003C\/tr\u003E\u003C\/tbody\u003E\u003C\/table\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003ESunday's event was capped off by a live performance from Charlotte CHW, who was also exhibiting photographs. Dressed in a suit that perfectly matched the brickwork of the building, she writhed about against the walls and on the floor accompanied by a soundtrack of breaking glass. Watching this it's difficult not to look up at the gently spooky Victorian brickwork and wonder just how long this hospital is going to last. Generations of Londoners have walked through these halls, each with their own individual ailments and stories to tell.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EThe performance understands this history, treating the building like a psychological sponge that's sucked up a century of trauma and needs to be squeezed dry. \u0026nbsp;Charlotte's movements are slow, painful and precise - it's like you can see dust crumbling from her joints as she repeatedly collapses and rises, trapped in some infinite loop of pain, healing and more pain. I dug it.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003EAnyhow, \u003Ci\u003EThe Art of Caring \u003C\/i\u003Eis well worth checking out, demonstrating not only the public's affection for the NHS and its nurses, but just how critical its long-term support systems are. Whether you've sprained your ankle, suffered trauma in Blair's oil wars or are watching an elderly relative succumb to dementia, the NHS will always be there. But it also needs us to fight for it.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"text-align: justify;\"\u003E\u003Cspan style=\"font-family: \u0026quot;georgia\u0026quot; , \u0026quot;times new roman\u0026quot; , serif; font-size: large;\"\u003E\u003Ci\u003EArt is Caring is at The Conference Centre, St Pancras Hospital, 4 St Pancras Way, London NW1 OPE (9am-5pm) until 13 October 2016.\u003C\/i\u003E\u003C\/span\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/www.londoncitynights.com\/feeds\/1861636420470353578\/comments\/default","title":"Post Comments"},{"rel":"replies","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2016\/09\/the-art-of-caring-at-st-pancras.html#comment-form","title":"0 Comments"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/1861636420470353578"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/4538517798140197216\/posts\/default\/1861636420470353578"},{"rel":"alternate","type":"text/html","href":"http:\/\/www.londoncitynights.com\/2016\/09\/the-art-of-caring-at-st-pancras.html","title":"'The Art of Caring' at St Pancras Hospital, 18th September 2016"}],"author":[{"name":{"$t":"londoncitynights"},"uri":{"$t":"http:\/\/www.blogger.com\/profile\/05709416402447278223"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"32","height":"31","src":"http:\/\/2.bp.blogspot.com\/-_dEgl2Z35ZM\/UmwOg24QzOI\/AAAAAAAAH5g\/nRmISOmDrk0\/s220\/lcn%2Btwitter%2Bavpsd.jpg"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/1.bp.blogspot.com\/-1e0EXWiXDMM\/V9_s7g8tZ8I\/AAAAAAAAR_s\/iiWHNIxYLIAykptM9k_dvC1xeDMmeowaACEw\/s72-c\/The%2BArt%2Bof%2BCaring_0.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}}]}});