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Showing posts with label Tamsin Egerton. Show all posts
Showing posts with label Tamsin Egerton. Show all posts

Monday, October 13, 2014

'Queen & Country' (2014) directed by John Boorman [LFF 2014]

Monday, October 13, 2014 - by londoncitynights · - 0 Comments


"Realising you’re about to watch a new movie by the director of Point Blank, Deliverance and Zardoz is an odd experience. In his 81st year, we find John Boorman in a reflective mood, gazing into his own past and trying to assemble fragmented memories into a coherent whole. The result is Queen & Country, a loose sequel to his award-winning 1987 classic Hope & Glory.

That film followed Bill, a fictionalised childhood analogue of Boorman, through the chaos of London Blitz. Queen & Country picks up his story a decade later in 1951. Bill (Callum Turner) has just turned 18, making him eligible to be conscripted for two years of national service. Though just six years since VE Day, the mood in the country has shifted; the vague rumblings from Korea feeling inconsequential in comparison to the previous threat of wartime bombardment."


★★

Monday, April 22, 2013

'The Look of Love' (2013) directed by Michael Winterbottom

Monday, April 22, 2013 - by londoncitynights · - 0 Comments


This movie stars Steve Coogan, it also features Stephen Fry, Matt Lucas, David Walliams, Dara O'Briain, Chris Addison, Sarah Solemani, Simon Bird and James Lance.  All are famous for being incredibly funny.  So you could be forgiven for thinking that The Look of Love is a comedy.  It isn't.  Or, if it is, it's not a funny one.  This is a very strange goose; the film has a comedy pedigree second to none, the director's previous films with Coogan, A Cock and Bull Story and Twenty Four Hour Party People are both nicely pitched comedy dramas that exploit Coogan's distinctive charm to their own ends.  His TV show, The Trip, also starring Coogan was actually perfect, knowing exactly what it wanted to achieve and effortlessly succeeding.  But The Look of Love is strangely passionless, a film not quite sure either what it wants to do or what it wants to say.

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